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A Walk in the ExhibitionMarzia Faietti, Matteo Lafranconi

A Walk in the Exhibition

This year we celebrate the 500th anniversary of the death of Raffaello Sanzio, born on April 6, 1483 in Urbino and died on April 6, 1520 in Rome at the age of 37. A great High Renaissance painter and architect, who with Leonardo and Michelangelo was known as the Trinity of High Renaissance Art.

We  are thrilled to share virtually with our audience  A Walk in the Exhibition, the video of an extraordinary exhibition at the Scuderie del Quirinale in Rome which the Director of the Scuderie del Quirinale, Matteo Lafranconi, has graciously given us permission to show. The exhibition, curated by Director Matteo Lafranconi and Prof. Marzia Faietti, in collaboration with the Uffizi Gallery in Florence gives tribute to Raffaello’s great work and includes around 120 of his works.

Marzia Faietti
Professor of Print & Drawing
University of Bologna
Former Director of the Department of Prints & Drawings At the Uffizi Gallery in Florence

Marzia Faietti, former Director of the “Gabinetto dei Disegni e delle Stampe” at the Uffizi in Florence, currently teaches History of Print and Drawing at the “Scuola di Specializzazione in Storia dell’Arte” of the University of Bologna and at the “Scuola di Specializzazione in Beni storico-artistici” of the “Università Cattolica del Sacro Cuore” of Milan. She is associated to the Kunsthistorisches Institut in Florenz – Max-Planck-Institut.

Member of the Editorial Board of the journals “Print Quarterly”, “Nouvelles de l’estampe” and “Rivista d’Arte”, Marzia Faietti holds since 2013 the position of President of the CIHA Italian Committee, as well as Vice-President of the CIHA International Bureau. In September 2017 she was appointed President of the Scientific Committee at the Fondazione Magnani, Reggio Emilia. 

Marzia Faietti has lectured and taught widely in Italian and at foreign Universities. She has organized numerous international exhibitions and conferences including the XXXV CIHA World Congress in Florence and she has published papers on international scientific journals. She has been responsible for many exhibitions focusing on the graphic arts collections both in the Pinacoteca Nazionale of Bologna and in the Uffizi, where she has promoted new editorial series, such as the Inventario Generale delle Stampe (General Catalogue of Prints), and she has promoted the “Progetto Euploos” (digital cataloging of the Uffizi drawings).

Her research interests focus mainly on Ferrarese painting of the post-Trident period; on the Bolognese and Emilian painting, prints and drawings of the fifteenth and sixteenth centuries and their developments in the following centuries; on the graphic language of Andrea Mantegna; on the antiques culture of Parmigianino; on the Italian erotic engraving of the sixteenth century and its relations with antiquity; on Raffaello’s drawings and on  the relationships of Raffaello’s art with poetry and literature. Furthermore, as part of her theoretical study interests, Marzia Faietti conceived the LINEA Project in collaboration with the Kunsthistorisches Institut in Florenz – Max-Planck-Institut.

Matteo Lafranconi
Ph.D/MiBACT, Director, Scuderie del Quirinale, Roma                                                                                                  

Matteo Lafranconi is the Director of the Scuderie del Quirinale, a major exhibition venue in Rome belonging to the Presidency of the Italian Republic and run by the Italian Ministry of Culture through the in-house company ALES SpA.

After musical studies (Piano Diploma, Conservatorio Cherubini, Florence), Matteo Lafranconi specialized in Art History in Rome (La Sapienza University), Naples (Federico II University; master and Ph.D) and Paris (Université de Paris IV Sorbonne), with a post-doctoral specialization in the United States (Washington, The National Gallery of Art; Center for Advanced Studies in Visual Arts) and in Spain (Madrid, Museo del Prado). He realized studies and research in Italian, French, Spanish, and Russian history of art, between XV and XX century, with preference to museology, history of collection, Old Masters’ Drawings, and academic practices.

He edited the Catalogue of the Collections of the XIX century at the National Gallery of Modern Art in Rome (Electa 2006) and signed with Sandra Pinto the volume “Gli storici dell’arte e la Peste (The Art Historians and the Plague) (Electa, 2006). His contributions appeared in the most prominent magazines of art history including “The Burlington Magazine”, “Paragone”, “Prospettiva”, “Perspective”. His essays appeared in many exhibition catalogues, conference proceedings and miscellaneous volumes of his fields of interest. From 2006 to 2012 he was a member of the Scientific Committee of the magazine “Perspective” (Institut National d’Histoire de l’Art, Paris) for XIX and XX century.

He gave lectures and conferences by the main museums and universities in Italy and abroad (National Gallery, London; National Gallery of Art, Washington; Museo del Prado, Madrid; Musée du Louvre, Paris; Hermitage, St. Petersburg). He taught Old Masters’ Drawing and Museology at the  Sapienza University in Roma and at the Calabria University.

Matteo Lafranconi was Head of Cultural Programs at the Palazzo delle Esposizioni, in Rome, from 2007 to 2016.

He is a  member of the CIHA (Comité International d’Histoire de l’Art) Italy from 2014.